Monday, 25 August 2014

Katharine Maria Gericke: a revelation !


 Katharine Maria Gericke

(Vienna 1893 - 1974 Boston USA)
Thanks to American reader and collector Tom today the revelation of some never before made public prints by this forgotten German-American printmaker.

Katharine was the daughter of Wilhelm Gericke (1845-1925) and grew up surrounded by the art and music of Europe and America. Her father was an accomplished conductor of symphony orchestras and choral groups in Austria, and a close friend of many of the musical geniuses of the day. 
Drawing of Katharine, showing probably her father conducting the Boston Symphony Orchestra. 
Her family traveled extensively to the cultural centers of Europe and, even as a young child, Katharine demonstrated an early talent for sketching the picturesque sites they visited. 


In Brian Hannon's collection (see below) I've found the sketch for this woodblock print 
In 1898, five-year-old Katharine was first introduced to American culture when her father became, for the second time, the conductor of the Boston Symphony Orchestra. The family returned to Austria in 1906 when Katharine was thirteen. Katharine enrolled in art school in Vienna in about 1910, but her art education was disrupted by financial difficulties brought on by the First World War. 

In 1925 Katharine’s father died in Vienna. His obituary in The New York Times mentioned his surviving “loving wife and talented daughter”. Katherine and her mother traveled throughout the 1920’s and 1930’s, visiting London and New York in 1932, but more often returning to the Renaissance villages of Italy, or places like Salzburg and other famous centers of their musical past. 

When the Nazis annexed Austria, Katharine immigrated to the U.S. and returned to Boston. She became a U.S citizen in 1946, and worked most of her life as an art conservator until 1968. She never married, and died in 1974 at the age of 81. Known for her drawings but also working with woodblock printmaking. 

Votive Church and rooftops in Katharine's birthplace Vienna
(biography with courtesy: Brian Hannon New-York Fine Art Inc. (link) where you can find many examples of Katharine's fine drawings and sketches).
All pictures are mouse-clickable to embiggen.
All pictures (and text) borrowed freely from the internet for friendly, educational and non commercial use only.

Tuesday, 29 July 2014

Kate Traumann-Steinitz: from Berlin to Los Angeles


Kate (Käthe) Steinitz-Traumann
Kate Steinitz

(Germany 1889 - 1975 Los Angeles)

German painter, illustrator and printmaker,
Leonardo da Vinci expert.  





Thanks to Jane's recent article in the Blue Lantern Blog publishing this nice woodblock print that she's found in the Los Angeles Count Museum I've discovered another for me unknown German woman printmaker for my project. This is the only woodblock print I've ever seen by her and it shows a bend in river Spree flowing and meandering through the very heart of Berlin. Maybe a German reader can identify the proper location and the bridge spanning river Spree. 


It's dated 1909 and she was right in the heart of woodblock printmaking Germany. She was a student of Kathe Kollwitz (1867-1945) and Aenny Loewenstein (1871-1925) and followed the Malschule für Frauen” (Women’s Painting School) run by the great Lovis Corinth (1858-1925) and the influence of godfather of Modern Printmaking Emil Orlik (1870-1932) was within reach and teaching nearby. Her name and entry however are not recorded in the references of the VdBK, the Berlin Womens Art Association, otherwise a great source of information concerning it's many hundreds of members and "friends". But also missing is Aenny Loewenstein ! Kate has however an entry in the Wikipedia and there's a short biography available here*, take a minute or two to read it. 
  


She was a close friend of Kurt Schwitters (1887-1948) whom she's met when living in Han(n)over and Theo van Doesburg (1883-1931) and worked with both artists. In 1936 however she immigrated from Nazi Germany with husband Ernst and three daughters Ilse, Lotti, and Beate (below) to America where she later became known as a Leonardo da Vinci expert and museum curator.


Rumbling through the Internet I found a booklet that once belonged to Kate's daughter Beate (middle, 1920-1941) that brought me to Tom Seidmann-Freud (1892-1930) Sigmund Freud's niece.



Read the tragic story of this avant-garde and surreal illustrator of childrens books here. The original books are now very sought after by collectors. It is most probable that both women-artists and illustrators will have known each other.

All pictures borrowed freely from the Internet for friendly, educational and non commercial use only.     

Sunday, 13 July 2014

Ruth Laube, unknown German printmaker.

Ruth Laube
(active 1920-1930)

German woodblock printmaker and book illustrator. 
(Possibly active in the Nidden Artist Colony in Lithuania) 



Until last week I knew of just one print by this mysterious printmaker who's signature in Sütterlin (or old/Gothic German handwriting) is as difficult to read for modern Germans as it is to me. The "Fractur" or "Gothic" typographic (printed) script is somewhat easier but nevertheless, almost forgotten by most modern Germans. It was in use from the 16th century until WW 2. Collecting pre-WW2 prints however it is impossible to turn away from it. 


Sütterlin: Gothic handwriting 



Fractur: typographic or Gothic printing script 

For that reason I was very pleased (with myself), as a Dutchman, to be able to decipher the signature (Ruth and not Rolf Laube) and recognizing the printmakers style + monogram RL in this second print by her that I've discovered recently. 

The other one I've found some time ago in the collection of Wolfgang, a friendly and modest German collector, who provided me with this piece of extra information, the frame makers label: Conrad Klein, Heilsberg, Ost-Preußen. (In theory, when so few prints are found, there is a slight chance she might gave been perhaps only locally known. Conrad Klein, the frame maker, is mentioned in the 1936 Heilsberg Sensus but sadly no Laube family. My print was framed in Berlin. 
         
Heilsberg (now Lidzbark Warmiński in Poland) situated south of the old artistic and academic centre of Köningsberg (now Kalilingrad) not far from the Nidden Artist Colony in the Kurische Nehrung (Courtland Spit) the strip of sand and high dunes situated along the coast with Lithuania. 
(Where Lovis Corinth (1858-1921) taught and Köningsberg Art Academy trained printmaker Daniel Staschus (1872-1953) and his wife Paula participated. They later moved to Munich where with Martha Cunz (1876-1961) and Hans Neumann (1873-1957) they became the most important color woodblock printmakers). Probably printmaker L.E.M (Margarete) Gerhardt (1873-1955) was in the colony too.    

In the course of my ongoing research on pioneering German women printmakers born between 1860 en 1900 Ruth Laube is probably the least known  printmaker among the 140 (!) I'm constantly investigating. The name Ruth Laube in the Internet is also pointing to America, but then: hords of German families emigrated to the New World between 1850-1950.



And there's this 1930 book: "Vom Deutschen Glauben" with two original woodblock illustrations by Ruth Laube. One is shown above

Until the book on these women printmakers is publishable I've decided revealing in the Blog the most difficult and obscured of "my" printmaking ladies. Sooner or later this posting will be picked up by some one who knows more, as has happened regularly before. Therefore all information and comments on Ruth Laube are most welcome. 

Thursday, 10 July 2014

Sanyu, Weston, Matisse, Picasso and the Muze

Sanyu (1901-1966)

Edward Weston (1886-1958)

Henri Matisse (1869-1954)

Pablo Picasso (1881-1973)

A few posts back I met chinese-french painter (and printmaker) Sanyu later realizing how much his paintings resemble the master pieces created by photographer Edward Weston and painters Henri Matisse and Pablo Picasso. So, today commenting on my own previous posting and just for the record: 














I have no idea who modelled for Sanyu but the other artists favored their muzes. Come to think of it: all great creative men had muzes. Was the muze attracted by their vitality and creativeness or were they source of it ?  Either way you should find your muze. Or let your muze find you !

  
By the way: Weston had Tina Modotti (1896-1942), Matisse Lydia Delectorskaya (1910-1998) and Picasso Dora Maar (1907-1997) and the list is much, much longer .................................... 
Tina Modotti + Edward Weston

Lydia Delectorskaya + Henri Matisse


Dora Maar + Pablo Picasso


All pictures borrowed freely from the internet for friendly, educational and non commercial use only.

Wednesday, 9 July 2014

Anny Böhmer-Hengstenberg, an unexpected discovery.

Anny (Annemia Hilma) Böhmer-Hengstenberg

(Duisburg 1891-1957)

German painter, book cover designer, paper-mosaik artist and
 woodblock printmaker.



My ongoing and never ending research on pioneering German Women Printmakers born before 1900 resulted in receiving from a reader in Krefeld Germany some wonderful supplements and new examples of this obscured artist and printmaker. Although occasionally her prints, usually topographic prints of historic Moers, a medieval city near Duisburg, show up in Ebay nothing much was known about the life of this artist. 



The old "Klompenwenkel" (wooden shoe shop) in the Neustrasse in old Moers drawing Gustav Olms (1864 - 1930) and pre WW2 photograph

The destructions during WW2 in all of Germany's cities were immens and the heavily bombed Ruhrgebiet was no exception destroying council- and school-archives and records disabling greatly todays biographical research. The friendly use of the Internet, again, proofs to be a great help to fill in gaps and omissions.

Besides the 11 woodblock prints that to this day came to my knowledge, I learned to my surprise that Anny was a pioneering paper mosaic artist. Skills and ideas she probably learned at the Kunstgewerbeschule in Krefeld but there's no proof because this schools' archives were also destroyed. 


It looks like she watercolored sheets of paper, to tear them up in order to mosaically piece and and glue them together again. 

Blobs of color in the form of scraps of paper, much like "pointillism" in a carefully arranged mosaic pattern creating paintings to an astonishing result. The small and rare collection of "paintings without painting" drawing the attention of a local museum and negotiations are underway for taking up in its collections soon. 

 The Old Bridge in Bad Kreuznach on river Nahe, a tribuary of the Rhine 120 km south of Duisburg. 

Anny was the daughter of industrial merchant Eduard Hengstenberg (d.1923) and Anna Küppers (b.1866). Her younger brother was the leading and important philosopher Hans Eduard Hengstenberg (1904-1998) born in Homberg (near Moers) now a suburb of greater Duisburg. 



Anny lived and worked in the small city of Bornheim near Moers and Duisburg and was married to Erich Heinrich Wilhelm Böhmer, possibly a member of the shoe manufacturing Böhmer familie that owned factories in nearby Xanten and Cleve before and after WW1.


As always I look forward to any supplemental (biographical) information and data. A great "thank you" for enthousiast collector en reader Klaus who has send me the pictures of his collection for sharing and added some important clues about the Hengstenberg and Böhmer families in Moers. 


All pictures are mouse-clickable to embiggen.